WEEK 45 – BRIDGES
I don’t know why but I’m sort of fascinated by bridges when it comes to photography, especially those who cross a waterway. I’ve been fortunate enough to live and visit READ MORE →
I don’t know why but I’m sort of fascinated by bridges when it comes to photography, especially those who cross a waterway. I’ve been fortunate enough to live and visit READ MORE →
Along with Peter Randall, we came up with a Photo Challenge idea to incorporate the best of both worlds, a challenge that takes you, the Photo Challenge Community Member out of your comfort zone and into the photographic discourse group to discuss and improve your skill sets. Naturally, as always we’re here to help out with the weekly theme. READ MORE →
If you’ve read the two old Photo Challenges, you already know that this has nothing to do with environmental issues. It’s all about photographing people in their environment,most often their work environment. READ MORE →
This week’s challenge introduces the concept of using colored filters for B&W photography. Some of you may already be familiar with this concept, but for others it will be brand READ MORE →
If I had to take a guess, I would say that plastic water bottles are one of our most obvious signs of plastic contamination. Although recyclable and at times consigned with a monetary value, they seem to rarely make their way to responsible disposal. READ MORE →
Just like in the original challenge, we’re not only looking for great images of entire vehicles. Cars are a little like buildings in architectural photography, just like we can choose to photograph an architectural detail on a building, we can photograph specific details of a vehicle. In the example above, the badge from an antique tractor I found in a field in Auvergne, France. READ MORE →
You must create a black and white long exposure photograph taken with cloud movement. Depending on how fast the clouds move , you may be able to achieve the look you are looking for in one long exposure or by stacking multiple long exposures. Even if the cloud movement is favorable to one long exposure, you may choose to stack multiple shorter long exposures to reduce noise. READ MORE →
One lighting technique I use for Macro Photography is Cross Polarization. In a nutshell I polarize the light from my flashes and set a circular polarizer on my lens. If I’m set for Horizontal Polarization on my light source, I set the lens for Vertical Polarization, thus crossed. The end result is an elimination of glare creating a different texture and revealing lots of sometimes unseen details. READ MORE →
This week, I want everyone to take a macro shot that highlights the curves, patterns, colors, and shapes within your subject. You should try to get close enough to at least partially obscure what the subject actually is. Ideally, your photograph should capture the viewer’s attention, while they try to figure out what they’re seeing. READ MORE →
From Tiny Planets to 360 images and Infrared Panoramas, there’s an original way to portray your unique view of Earth Day 2018 through Photography. You’re entirely on your own to define that perspective and bring it to your fellow community members here at the Trevor Carpenter Photo Challenge. READ MORE →
You must be logged in to post a comment.