We all use locks in our everyday lives. Even when I lived on a ranch at the TOP of TOPANGA with no locks on the doors, we still had a use for locks. Locks have been around for ages and there is just no lack of variety as they evolved through the ages.

Steve Troletti Editorial, Nature and Wildlife Photographer: Doors and Locks / Portes et serrures &emdash; Locked / Verrouillés

This week we are going to focus on LOCKS and the things we have LOCKED with LOCKS. We’re also going to be doing this in B&W or other monochrome look such as SEPIA to add a certain style to our images.

Steve Troletti Editorial, Nature and Wildlife Photographer: PICTURE OF THE DAY / PHOTO DU JOUR &emdash; Snowed in bike - Vélo enneigé

We don’t need to only focus on the LOCK(s) themselves as in the first image above. The second image illustrates a bike locked to a pole. These are two basic examples but with a little imagination matched up with PhotoChallenge members from all over the globe, there’s just no limits to what our imagination can conjure up.

Locked in Conversation

It’s not because we’re focused on LOCKS and what we LOCK with them that people, candid and street photography is out of the question…

Is there a locksmith in the audience?
We can also restrain people in chains and keep them restrained with LOCKS, unless you’ve got some Houdini skills up your sleeves.

When He Was Inside - Montreal 1987

… and naturally you can just be locked up!


This is a simple challenge as far as finding a subject. What we need to focus on is photography. Apply ourselves with composition, lighting, depth of field, etc. to accomplish a look and feel that separates our images from standard snapshots.

To do so I always use a tripod. It allows me to free my hands and gives me time to think. Meanwhile my camera maintains the exact same composition frame after frame as I experiment.

You may also want to use a polarized filter (DIY Polarized sunglasses may do the trick) to minimize reflections on certain surfaces. NOTE that certain reflections off of certain metals can’t be controlled with polarization.

Although I titled this B&W don’t be afraid to experiment with other monochrome looks such as SEPIA. Vignettes may also help bring focus on your subject in some cases, or just add to a vintage look.

Our friendly community guidelines are pretty simple:

  • Post one original photograph (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge and #photochallenge2017
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2017 PhotoChallenge is fun and easy.

About Steve Troletti

I'm a Location Scout, Editorial, Nature, Wildlife and Environmental Photographer based in Malibu, California. I specialize in Nature and Urban Nature photography including Infrared Landscapes. The Bulk of my work takes place in the Los Angeles, California area, Greater Montreal Region, Canada, Switzerland, France and Varese in Northern Italy. Ethical wildlife photography is the main priority and focus of my work. A minimum disturbance of the animals, their habitat and the environment is my top priority. This applies as much to total wilderness areas as it does to urban nature environments. Ongoing education of environmental issues and building awareness for the protection of wildlife and wilderness areas around the world is what drives me to document the beauty that surrounds us.